Heroes or Colonizers? Echoes of Colonial Brazil
- Ian Robertson
- Jun 25
- 4 min read

This was written as a short play around a classroom discussion
ACT I – Opening the Debate
Setting: A modern classroom in a public school in São Paulo. A poster on the wall reads: Heroes or Colonizers? Echoes of Colonial Brazil, Chairs arranged in a semicircle. A projector displays images of colonial maps. Lighting: Bright, daytime atmosphere. Soft background sounds of students chatting.
Professor Silva(Raises his voice calmly and with authority)Good morning, class. Today we’ll debate a question that spans centuries and still echoes in our streets, monuments, and books.Should we celebrate the Bandeirantes as national heroes? Mariana, you begin.
Mariana(Stands up enthusiastically, holding a sheet of notes)Thank you, professor. The Bandeirantes were the true pioneers of Brazil. They faced jungles, rivers, and dangers to expand our territory. Without them, Brazil might have remained just a narrow strip along the coast. They discovered gold, founded cities, and opened paths we still use today.Yes, there was violence, but we must understand the context. It was the 17th century. Survival demanded toughness. We should recognize their legacy with pride.
Rafael(Stands slowly, without notes, speaks firmly with direct gaze)Mariana, I respect your passion. But we can’t ignore the cost of that expansion. The Bandeirantes enslaved thousands of Indigenous people. They invaded villages, destroyed entire cultures. They weren’t just explorers, they were human hunters. Celebrating them as heroes erases the suffering they caused. We must remember with honesty, not blind pride.
Mariana(More defensive tone, but still firm)You’re painting everything with one brush. They also built. São Paulo exists because of them. The rural culture, the developed interior, it all began with the expeditions. We can’t erase that.
Rafael(Steps forward, voice more intense)And what about the peoples who were erased?The languages that disappeared? The children taken from villages?Official history only shows the victors. It’s time to listen to the defeated.
Professor Silva(Raises his hand, calling for silence and reflection)You both brought powerful arguments. Mariana reminds us of nation-building. Rafael warns us of its cost.But history isn’t a statue, it’s a conversation. And today, you brought it to life.(Looks at the class)And you, class… how do you want to remember the Bandeirantes?
Lighting: Softens. Students in the audience murmur, some glance at the poster on the wall. The projection changes to an image of Indigenous people in a forest. Sound: A gentle sound of wind and leaves in the background, as if the forest were calling.
End of Act I
ACT II – Silenced Voices
Setting: The classroom transforms. Lights dim. The projector shows images of forests, Indigenous villages, and colonial maps. A respectful silence. The sound of maracas and distant chants echoes softly.
Ana(Stands slowly, with a firm gaze and voice full of emotion)My grandmother taught me that memory lives in the land. She told me of the songs that were lost, of the rivers that cried when men arrived with weapons and chains. The Bandeirantes aren’t just names in books, they are open wounds. They took our relatives, burned our homes, erased our languages. And today, when I see statues in squares, I ask, ‘who is being remembered? And who was forgotten?’
Mariana(Looks down, visibly moved, but still hesitant)Ana... I didn’t know. In school, they only taught us that they were brave. That they explored the country. I never heard this part of the story.
Lucas(Stands with books and papers in hand, analytical and respectful tone)Official history was written by the victors. But there are documents, letters, Jesuit accounts that show the other side. The Bandeirantes invaded missions, captured Indigenous people, destroyed villages. Historian John Monteiro describes this clearly.Sérgio Buarque de Holanda also acknowledges the cruel pragmatism of these expeditions.We must teach the full history, with all voices.
Professor Silva(Walks slowly across the stage, thoughtful)History isn’t just dates and names. It’s pain, its struggle, it’s resistance. And when we listen to Ana, when we read the accounts, we realize there’s much more than we were taught.
Voices of the Past(Enter slowly, silently. Three figures. An Indigenous person in chains, a Jesuit with a crucifix, and a Bandeirante with a sword. They do not speak, only move with intense expression.)
The Indigenous person looks at the audience with sadness.
The Jesuit tries to protect the Indigenous figure but is pushed aside by the Bandeirante.
The Bandeirante raises his sword proudly but then hesitates upon seeing the Indigenous figure’s gaze.
Sound: A soft Indigenous chant begins to play. Lights focus on the three figures. Time seems to stop.
Ana(Looking at the figures)These voices aren’t in the books. But they are in the land, in the blood, in the memory. And today... they are here.
Lighting: Slowly darkens. The figures exit in silence. The classroom returns to the present.
End of Act II
ACT III – Rewriting the Future
Setting: The classroom returns to normal, but there’s a new energy in the air. The blackboard now has words written in chalk: Memory, Justice, Recognition. Students sit in a circle, like a conversation circle.
Professor Silva(Looking at everyone, with a calm voice)Today, we won’t end with a test. We’ll end with a question. How do we want to tell our history from now on?
Mariana(Raises her hand, eyes shining)I want to learn more.I want to hear the voices that were silenced.Maybe the books don’t have everything, but we can search, ask, listen.
Lucas(Looks at Ana with respect)History isn’t static. It lives, changes, transforms. And when we acknowledge the mistakes, we can begin to repair.
Ana(Smiles gently, moved)My grandmother said the future is born when the past is honoured. If you want to listen, I can tell.I can bring the songs, the knowledge, the names that resisted. But only if there is respect.
All Students(In unison, firmly)We want to listen.
Voices of the Past(Return to the stage, now without pain, with dignity. The Indigenous figure holds a branch of pau-brasil. The Jesuit carries an open book. The Bandeirante lowers his sword and places it on the ground.)
Sound: A new soundtrack begins, a blend of Indigenous chant with soft drum beats. The lights turn golden, like a sunrise.
Professor Silva(Looks at the audience)History is not meant to be forgotten.It is meant to be told with courage. And today, we begin to retell it together.
Lighting: Slowly darkens. At the back of the stage, the phrase appears:
No story is complete without all voices.
End of the Play




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